Sara Martínez

Doctora en Literatura Inglesa

Departamento de Literatura Inglesa y Escritura Creativa

Lancaster (Reino Unido)

Tesis: ‘I Celebrate Myself, and Sing Myself’: An Insight into Bob Dylan’s Chameleonic-like Masculinity: Writings and Songs, 1956 – 1970

• Español (nativo)
• Inglés (experto)
• Francés (avanzado)

• Música Popular
• Estudios Contraculturales
• Literatura Americana e Inglesa
• Estudios de Género
• Grupos étnicos (Afroamericano, Hispánico o Latino)
• Ciencia Ficción
• Revistas Pulp

Libros

• Busy Being Born: Bob Dylan’s Chameleonic-like Masculinity, 1962 – 1966

Capítulos de Libros

• ‘Masculinity’, ‘Performativity’ and ‘Subversion’: Dylan as screen, Dylan on screen in Larry Charles’ Masked and Anonymous (2003) and Todd Haynes’ I’m Not There (2007)

Essays edited by Laurence Estanove, Adrian Grafe, Andrew McKeown, and Claire Hélie

Twenty-First-Century Dylan: Late and Timely

Bloomsbury Publishing

• ‘Literary Influences on Joy Division: J.G. Ballard, Franz Kafka, Dostoevsky’

Martin J. Power (Editor), Eoin Devereux (Contributor), Aileen Dillane (Contributor) — Heart and Soul: Critical Essays on Joy Division (New York: Rowman & Littlefield, 2018)

Artículos en Revistas Académicas

• ‘Everything dies, baby, that’s a fact’: Echoes of Masculine Depression in Bruce Springsteen’s Nebraska (1982)
• ‘De Stijl as an Aesthetic Movement’: An Insight into the Psychology of the Red, White, and Black in Emmett Malloy’s Under Great White Northern Lights (2010)
• ‘Tangled Up in Blue’: Bob Dylan’s Construction and Subversion of Gender Roles in Blood on the Tracks (1975)
• ‘I Celebrate Myself, and Sing Myself’: Bob Dylan’s Acts of Individualism at Newport (1963 – 1965), Woodstock, and the Isle of Wight (1969)